Ephemera from my great-grandmother

From May 1896 to January 1897, my great grandmother, Eleanor Van der Beek traveled to Europe by boat. She kept a scrapbook of her trip that is now in my possession. It's a yellowed and fragile book that smells of dust. The spine has crumbled away, but the pages are still intact. I plan on gradually reading through the letters and notes she kept of her voyage. I'm sure I'll post more materials here as time goes on.

For the moment, here are a couple illustrations from a tourist map she had.

My piece from Quotes Illustrated

I got the go-ahead to show my artwork that is published in Quotes Illustrated by Lesley Riley. This is a digital collage that has scans of painted surfaces and black and white negatives that I further manipulated in Photoshop. I was happy that I was given the Diane Arbus quotation since she's one of my photo heroes.

Published art!

I'm really excited to share that I have had one of my digital collages included in a book on quotations. The book is by Lesley Riley and is called "Quotes Illustrated." The book is now available through CreateSpace and Amazon. I'm awaiting my copy, which should arrive on Wednesday. I'll report on the book when it arrives.

Nothing like having some of your art included in a collection to make you feel like it's worthwhile. I'd work even without the recognition, but it's still nice.

My first quilting adventure

A couple weekends ago I took a workshop with an artist named Bergen Rose. The workshop was called "Transforming Fabric with Digital Image Transfer Techniques." Such a great workshop with a lot of different techniques covered. Bergen's work is beautiful - combining paintings, photographs, transfers and fabric - a perfect combination for her pieces. You should check out her artwork at the Fountainhead gallery in Queen Anne, Seattle or her online shop at mochimochifiberart.com.

Anyhow, I tried a number of the transfer techniques with varying degrees of success. My goal this week was to actually finish one of the pieces. Whether it was good or bad, I just wanted a finished piece from the workshop to hang on my wall. This piece is pretty simple...I printed a 6 image grid of dahlia pinholes I took recently onto silk organza. I then applied free-motion stitching to a quilt "sandwich" (backing, batting, top fabric). I attached the organza to the quilted part using 2-sided tape. I then attached a sleeve to the back so I can run a dowel or a piece of bamboo through it and hang the piece.

I think any self-respecting quilter would have a minor heart attack to see my quilting technique but I don't care. I like the way it looks with the silk over it...almost like the flowers are on the quilted part.

I'm very excited to try out more daring things with the transfer techniques I learned and my trusty Brother sewing machine (thanks to my pal, Darcy).

The whole piece, front side.

Detail of a few of the squares.

The reverse.

August 14, 2013 Smoke Farm - The Builders Dinner tableau

This is a tableau that I created in InDesign from Richard Levenson's polaroids. The portraits are from the 2013 Smoke Farm Builders Dinner.

Water clowns

As a kid, I always loved the water clown games at the boardwalk on the Jersey shore. This photo was taken at the Puyallup Fair last weekend (a far cry from the Atlantic Ocean). I've applied some filters to it to give it that vintage look (OMG, does that mean anything from my childhood is vintage? I know you can find the fashions from the 70s in vintage shops, so I guess that makes me vintage as well.)

Do you feel lucky? Well do ya, punk?

Homage of sorts to William Henry Fox Talbot

A while back I took one of my old cameras, a Kodak duoflex and attached a "shooting chute" of sorts. The idea is that you use an old camera and shoot a digital image through the lens, so you're getting a picture that doesn't look like what you would normally get from a digital camera (or from the original, film camera either). The set up looks like this:

It's pretty ugly and wonky to shoot through. I had originally made it a pinhole camera by removing the lower lens, which is why it looks more like an "unoflex"than a duoflex.

Anyhow, I shot some photos through this contraption, using the Canon G9. Here is an example of one of the shots:

I decided that this reminded me a bit of a William Henry Fox Talbot photograph. This one:

"The Open Door" - William Henry Fox Talbot, 1844

Honestly, it's just that both photographs have a lone broom as the subject that makes the association for me. I decided to try to imitate the tonal qualities of the Talbot original. Here is the result:

"The Neglected Deck" - Leslie Levenson, 2013

Way more greenish than the original. But it's fun to try to mimic photos. I'm always amazed at how I overestimate my own skills when I try to do something like this. I know soooo little. It's good to keep trying though.